Selma Parlour's recent paintings have pristine surfaces that project an extraordinary level of luminous colour. Through the gossamer-like application of the oil, so intrinsic to her practice, Parlour enables colour to appear as a veil rather than a skin, subtly revealing each decision she makes. Soft fields of colour are punctuated by shaded bands with exacting graphic finesse. The paintings carry sharp diagrammatic shapes and moments that isolate and juxtapose certain hues in order to accentuate the sensation that they are dyed or printed. Parlour’s work possesses multiple paradoxes; the transparent colour in concert with the white ground beneath, creates the illusion that the paintings are in fact screens, and the work is otherworldly, imbued with the artist’s illusory and tactile process.