The Poor School
Our records show that The Poor School is closed.
Please see the current address info below.
242 Pentonville Road
King's Cross
London
N1 9JY
The Poor School and Workhouse Theatre is a drama school situated in King's Cross, London.
The Poor School was created in 1986 by Paul Caister in response to the need for a first class acting training which was financially within the reach of all, or almost all.
The Poor School Picture Gallery
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In The News
Compelling revival of Wilde's masterpiece
Drama school students seize opportunity
User Reviews
from London
Jul 23, 2016
from Hackney
Mar 19, 2014
from London
Jan 17, 2013
Name: Dominic
Location: London
from Streatham
Dec 17, 2012
Name: Harriet
Location: Streatham
from Dorset
Dec 13, 2012
Name: Ben Thomas
Location: Dorset
from london
May 10, 2012
Name: anon
Location: london
Apr 9, 2012
It seemed that your opportunities were set from the morning of the first day based on your photo and a movement class. Previous reviewers are correct that the school is only interested in selecting students for the two year course.
Classes are run as mixed ability groups. Mine contained models, extras and those with considerable skills. This is not a safe environment for beginners.
The facilities are minimal and grimy with décor that dates back at least 30 years. Given the low cost of the course, this could have been overlooked.
However, most teachers are not amiable and have zero customer focus e.g. no handouts were provided other than the timetable and the list of attendees. They don’t ask why you’ve enrolled or what you’re seeking.
Although the course was not a feel good experience for me, the class I enjoyed most was stage combat; an informative session with an entertaining teacher.
This course may be suitable if you; 1) are reasonably experienced (i.e. can act by sight reading, have a strong singing voice and/or dance experience) and 2) are seeking selection for traditional theatre training in an authoritarian environment.
It is regrettable that you did not enjoy your experience. Our short courses are open to absolutely everyone as long as they are capable of taking on what is in involved. We do not audition for our short courses & as a result have people of all different abilities on each course.
The short course is not set out to be a continuous audition. Our short courses have been set up to give a realistic taster of the drama school experience. This is achieved by the high quality of teaching provided in the disciplines offered to full time drama students. It is important that each student attending any of our courses is committed & ready to give each class their best. This is what makes the courses work best. There is an option to use your short course as an audition for the two year training. This gives students more of an opportunity to show thei ability & potential.
We do not run classes exclusively for beginners and because there is no audition for these courses, our intake of students are always of mixed abilities. Throughout the literature on our short courses, it is stated that the short courses are for everyone; whether you have experience or not. This does not impact the teaching in any way & everybody is treated the same.
Our facilities have had considerable refurbishment since being damaged in a fire in 2011. We have also recently expanded & have added two more studios. We have made vast improvements to our outside area with the addition of decking & a cafe last summer.
It is not general practise at the school to provide handouts during any of the classes. We believe that acting is not something that can be studied intellectually, but rather a craft that is learned almost through osmosis. Our teachers are highly qualified & always happy yo help. They are happy to oblige any student who would like any extra help, including the provision of notes.
We do not ask students why they have enrolled on our courses because it is essentially not important to the course. Everyone has personal reasons for attending whether it is trying to improve, try something new or the realisation of a lifelong dream. Whatever the case, every student has the same chance to enjoy the classes & achieve what they set out to, whatever it may be.
We are pleased to hear you enjoyed stage combat. We have the privilege of employing the first female stage combat instructor in Britain.
It is not correct that string singing or dancing skills are required. This is something that is taught as an acting exercise & there is nothing expected here in terms of levels of accomplishment, even on our two year training. It is also not true to say that you need to be experienced. Many of our short course students have no previous experience & gain a lot from the course. It is possible to substitute a short course for a traditional audi
Oct 3, 2013
Feb 11, 2012
Feb 7, 2012
Dec 21, 2011
Firstly there are no auditions for the short courses so the course will have people of all abilities. The groups are split prior to the course commencement & before anyone has acted & it would be impossible to split them according to ability because of this.
Secondly, there is no set number for how many people will be offered a place on the two year training from the short courses. Not everyone in every course wishes to use their course as an audition & it is based solely on the ability they have shown through the week. It could be 2 people, it could be 10 people. This is not predetermined.
It sounds as if you did not complete the course which is a shame & something that rarely happens. We are confident you would have a different experience if you had completed the week. Also it is not fair to comment on the entire course if you have not completed it.
The Shakespeare lesson is not an audition. The aim is help students to understand Shakespeare without any fanfare. The lesson seeks to look at the text like any other & direct the students to perform it in as true a way as possible. This is an incredibly difficult task for anyone & is a tough class. However, if students do their best, they will always be given time & encouragement & direction.
The building has gone under a massive refurbishment following a hugely damaging in the summer of 2011. It sounds as if you may have attended shortly after the fire. Our short courses continued in the rooms that were least damaged & fixed up as best they could be. This would have been explained to all of the students & we also offered refunds to anyone who did not want to attend under these circumstances. Since then we have refurbished everything, added outside decking, a cafe/bar & have recently expanded into the upstairs; we have two more studios.
Success in acting is not always marked by fame. Most of our alumni work regularly in acting, directing & producing & have contributed greatly to the arts. Most in the industry would agree that this is considered as huge success. If you are more interested in which 'famous' actors attended the school, there is a short extract on our Wikipedia page.
It is abhorrent to suggest that a drama school that has been open & running courses for 27 years is a scam & completely untrue. Implying you understand why or how students are chosen for the two year training is arrogant. Students are chosen based on talent, potential & also on whether or not training would fit them. The references you have made to, I'm assuming the school's director, are personal attacks & should not be taken into account in a review of the short course.
Oct 3, 2013
Sep 2, 2011
Nov 27, 2010
There are one or two things about the course however that I feel I should point out:
The website suggests that you don't necessarily have to learn a Shakespeare text by heart - let me just correct that and say that you most definitely have to learn it by heart - if you haven't learnt a reasonable chunk of it, you'll basically be ignored during the Shakespeare classes, or worse.
The director of the Poor School takes the course very seriously and has his own very definite ethos and views... - that's all I'm saying!
Apr 21, 2010