The Years of La Dolce Vita

This summer the Estorick Collection presents The Years of La Dolce Vita, an exhibition which explores one of the most fertile periods in contemporary Italian cinema and the simultaneous explosion of celebrity culture. The eighty photographs, on view from 30 April to 29 June 2014, capture the dolce vita (literally ‘sweet life’) enjoyed by Italian movie stars and Hollywood ‘royalty’ working in Rome during the 1960s.

The 1950s and ’60s were a golden era in Italian film when directors such as Michelangelo Antonioni, Pier Paolo Pasolini and Federico Fellini produced some of their most famous movies, including the latter’s iconic La Dolce Vita (1960). Hollywood stars John Wayne, Charlton Heston, Lauren Bacall and Liz Taylor, to name but a few, frequented the capital as American filmmakers were lured to Rome by the comparative inexpensiveness of its Cinecittà studios, and it was here that such epic productions as Ben-Hur (1959) and Cleopatra (1963) were shot. In the evenings, however, the focus of Rome’s movie culture – as well as the lenses of its paparazzi – shifted to the bars and restaurants lining the city’s exclusive Via Veneto and the popular haunts of glamorous celebrities such as Alain Delon, Kirk Douglas and Audrey Hepburn, transforming Rome’s streets into ‘an open-air film set’.

The exhibition juxtaposes images of this real-life dolce vita taken by Marcello Geppetti, one of its most skilful chroniclers, with behind-the-scenes shots from the set of the eponymous film by its cameraman, Arturo Zavattini. Together, these photographs vividly evoke an era of extraordinary glamour, creativity and decadence, yet also challenge us to consider our response to the media’s obsession with celebrity, the invasive nature of the images, and the ‘guilty pleasure’ we take in them.

Geppetti’s photographs feature the biggest stars of the day, from Brigitte Bardot to Clint Eastwood, from Sophia Loren to Rock Hudson. Many capture moments when, as has been said, ‘the ordinary coexisted with the extraordinary’, as in his image of Liz Taylor wandering with a friend through the streets of Cinecittà dressed as Cleopatra, or the actor Mickey Hargitay riding down the Via Veneto on horseback. Undoubtedly, one of his most famous shots is that of Richard Burton kissing Liz Taylor while holidaying in Ischia, a photograph recently listed among the thirty most famous images in history, alongside works by Andy Warhol and Cecil Beaton. In fact, his work has been seen as transcending the somewhat negative public image of this type of imagery, Geppetti having been described as ‘the most undervalued photographer in history’ by American Photo; his photographs have also been compared to those of Cartier-Bresson and Weegee.

Revealing the public, professional and private lives of some of the movie industry’s most celebrated actors and actresses, The Years of La Dolce Vita not only provides a candid and evocative snapshot of an era noted for its extraordinary vitality, but also presents a selection of images which, for better or worse, helped to change the face of photojournalism forever.